An Ominous Sign

Knights of the Order of the Garter

On 23 April 1536, the annual meeting of the Order of the Garter took place at Greenwich attended by the King and many Lords. It was expected that George Boleyn would be preferred but instead Henry chose Sir Nicholas Carew, ‘Anne’s known enemy and the man who had been mentoring Jane Seymour’ (Weir, pg. 88).

The entry from Letters & Papers reads,

On St. George’s Day, 23 April 28 Hen. VIII., a chapter of the Order of the Garter was held at Greenwich, at which were present the King, the dukes of Richmond and Norfolk, the earls of Northumberland, Westmoreland, Wiltshire, Sussex, Rutland, and Oxford, lord Sandys, and Sir Wm. Fitzwilliam. It was determined to hold the feast on May 21, the earl of Northumberland taking the Sovereign’s place, assisted by the earls of Rutland, Westmoreland, and Oxford, and Sir Wm. Fitzwilliam. Votes were taken for the election of a knight; and the next day, after mass for the dead, the King declared Sir Nic. Carew elected. He was installed when the feast was kept, on May 21. On this occasion the earl of Northumberland was seized with vertigo and weakness, so that it was feared he would not be able to take his part as deputy, but he recovered. The next day the hatchments of the deceased were offered up.

On April 29, Chapuys wrote to Charles V,

The Grand Ecuyer, Mr. Caro, had on St. George’s day the Order of the Garter in the place of the deceased M. de Burgain (lord Abergavenny), to the great disappointment of Rochford, who was seeking for it, and all the more because the Concubine has not had sufficient influence to get it for her brother; and it will not be the fault of the said Ecuyer if the Concubine, although his cousin (quelque, qu. quoique? cousine) be not dismounted. He continually counsels Mrs. Semel and other conspirators “pour luy faire une venue,” and only four days ago he and some persons of the chamber sent to tell the Princess to be of good cheer, for shortly the opposite party would put water in their wine, for the King was already as sick and tired of the concubine as could be; and the brother of lord Montague told me yesterday at dinner that the day before the bishop of London had been asked if the King could abandon the said concubine, and he would not give any opinion to anyone but the King himself, and before doing so he would like to know the King’s own inclination, meaning to intimate that the King might leave the said concubine, but that, knowing his fickleness, he would not put himself in danger. The said Bishop was the principal cause and instrument of the first divorce, of which he heartily repents, and would still more gladly promote this, the said concubine and all her race are such abominable Lutherans. London, 29 April 1536.

Some ominous signs for Anne and the Boleyn faction but as Weir points out in The Lady in the Tower: The Fall of Anne Boleyn, five days later, on April 28, Henry Lord Stafford wrote to the Earl of Westmoreland to thank him for ‘furthering my suit with the Queen.’ Although Chapuys believed that Anne was falling from favour, clearly others still felt her influence intact.

Sources
Weir, A. The Lady in the Tower: The Fall of Anne Boleyn, 2009.
‘Henry VIII: April 1536, 21-25′, Letters and Papers, Foreign and Domestic, Henry VIII, Volume 10: January-June 1536 (1887), pp. 287-310. URL: http://www.british-history.ac.uk/report.aspx?compid=75427 Date accessed: 23 April 2012.
‘Henry VIII: April 1536, 26-30′, Letters and Papers, Foreign and Domestic, Henry VIII, Volume 10: January-June 1536 (1887), pp. 310-329. URL: http://www.british-history.ac.uk/report.aspx?compid=75428 Date accessed: 23 April 2012.
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A Review of A Visitor’s Companion to Tudor England

A Visitor's Companion to Tudor England

When I first interviewed Suzannah Lipscomb in early 2011, she was immersed in researching and writing A Visitor’s Companion to Tudor England. Whilst talking to Suzannah about her book, I discovered that we share something in common – a love for walking in the footsteps of the great historical figures of Tudor England.

There is something magical about standing where Henry VIII or Anne Boleyn once stood, it is as though recorded in the walls of these ancient buildings are the very conversations that took place hundreds of years before. Listen closely enough and you can hear the courtiers whispering and politicking.

What really fires the imagination, is that when standing in these historical locations, it is only time and not space that separate us. If we could only peel back the layers of time, we would be there, face to face with the iconic characters of sixteenth century England.

Suzannah summed it up perfectly,

‘In the places featured in this book, the veil between the past and the present seems very thin.’ (pg. 8 )

It is in these locations, where history happened, that we can get close to the people whose lives we hope to understand.

In this wonderful book, Suzannah takes us on a journey to over fifty Tudor places, introducing us to the key characters of the Tudor age and sharing their fascinating stories.

I really enjoyed the variety of locations; we visit houses, palaces, castles, abbeys, tombs, Museums and even a tree! I also found the inclusion of information about other aspects of life in Tudor England – such as sports and pastimes, clothing and the royal progress, enhanced the overall experience.

Little Moreton Hall

Expect to find locations that you are familiar with, like the Tower of London, Hampton Court Palace and Westminster Abbey. But what makes this book stand out is the inclusion of less well-known houses, like Sandford Orcas Manor House and Little Moreton Hall.

Some of the locations included are ruins: Tutbury Castle, Kenilworth and Hailes Abbey, to name but a few, and these are worthy of inclusion, as the events that unfolded within their now crumbling walls, are of great importance.

Suzannah is an enthusiastic and knowledgeable guide who brings each location vividly to life through an engaging narrative.

Although academic references are not included, you can be confident that only verifiable stories and details have made the pages.

I eagerly awaited the release of this book and it has not disappointed. Judging by the amount of post-it notes that now reside on the pages of my copy, I have learnt a lot!

Tuck it under your arm on your next Tudor pilgrimage or enjoy it from the comfort of your own home. Who said that time travel wasn’t possible? Highly recommended!

I leave you now with the words of historian G. M. Trevelyan, quoted in Suzannah Lipscomb’s book:

‘The poetry of history lies in the quasi-miraculous fact that once, on this earth, on this familiar spot of ground, walked other men and women, as actual as we are today, thinking their own thoughts, swayed by their own passions, but now all gone, one generation vanishing after another, gone as utterly as we ourselves shall shortly be gone, like ghosts at cock-crow.’

http://suzannahlipscomb.com/

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Boleyn Home in Norwich

Hever Castle

When you hear the words, ‘Boleyn family home’ it’s difficult not to immediately picture Hever Castle, a fairytale castle in the beautiful Kent countryside that has long been thought of as Anne Boleyn’s birthplace.

The home is, as Eric Ives puts it, ‘a romantic shrine to Anne and her love affair with Henry VIII. Unfortunately, for romance and tradition, Anne was in fact born in Norfolk, almost certainly at the Boleyn home at Blickling, fifteen miles north of Norwich.’ (pg. 3)

Blickling Hall, Norfolk (built on the site of the Boleyn home)

Ives’ source? Mathew Parker, Anne Boleyn’s private chaplain born in Norfolk, who later became archbishop of Canterbury and described himself as her ‘poor countryman’. Sir Henry Spelman, a Norfolk antiquarian writing during the reign of Elizabeth I, echoed this view:

‘To Blickling was decreed the honour of Anne Boleyn’s birth.’ (Weir, pg. 19)

The Boleyns were a Norfolk family long before they moved to Hever Castle in Kent and after the annihilation of the noble Boleyn family in 1536, the gentry family survived at Blickling until the 1560s and the death of Sir James Boleyn.

The focus of this post is not to debate Anne’s birthplace or whether the Boleyns abandoned Blickling for Hever. Instead, it is to bring to your attention another Boleyn property situated by the River Wensum on King Street, Norwich.

Elizabeth Griffiths describes the Boleyn house as lying adjacent to the building now known as Dragon Hall in an area where the Pastons and the Heydons once maintained homes alongside the Boleyns.

The staff at Dragon Hall very kindly informed me that Sir William Boleyn owned part or all of what is now 125-127 King Street. Records show that William paid ‘landgable’, a type of council tax for the property and Blomefield, the Norfolk historian, called it ‘the house of Sir William Boleyn’.

Although referred to as a ‘house’, there is some doubt as to whether the building was ever used as a home. Norfolk Archaeology Report, number 500 (2000), dates the building as ‘probably late 15th century’ and ‘suggests that it was not a private dwelling house’ and instead may have been an ‘inn’ with a corridor running along the King Street side and rooms off it.

I was delighted to find some old photos of the building taken by George Plunkett who took photos of old Norwich between 1931-2006.  I have reproduced two photographs here with kind permission of his son, Jonathan Plunkett.

The first picture was taken in 1936 and Mr Plunkett provided the following information:

‘Adjacent, and to the south of the renowned Dragon Hall, is another building of note, that comprising Nos 125-129. When photographed in 1936 its half-timbered upper storey had for long been hidden under plaster, but some ten years later the plaster was removed to reveal its sturdy construction of timber and brick. After a few more years its owners chose to rip out the entire ground floor, replacing the modest 19c shop fronts with a continuous range of plate glass and leaving the medieval first floor suspended as it were mid-air.’

King Street, Norwich 125 to 129 © George Plunkett

The second photograph was taken in 1946 when the plaster had been removed.

King Street Norwich, 125 to 129 © George Plunkett

I am visiting Norfolk next month and hope to see the building for myself even though I have been told that it is in a sad state today, having been empty for many years.

Sources
Griffiths, E. The Boleyns at Blickling, 1450-1560 (Norfok Archaeology, 40, 2009).
Ives, E. The Life and Death of Anne Boleyn, 2004.
Weir, A. Mary Boleyn: ‘The Great and Infamous Whore’, 2011.
Dragon Hall
Norwich Street Photographs by George Plunkett
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Chapuys Bows to Queen Anne Boleyn

The Palace of Placentia in a 17th-century drawing

On April 18, 1536 Chapuys met with Henry VIII at Greenwich.

On arrival, George Boleyn welcomed the ambassador and Cromwell presented Chapuys with a message from Henry, inviting him to visit Anne and kiss her hand. The ambassador could not bring himself to acquiesce and so begged Cromwell to excuse him, perhaps, for Chapuys’ sake, he should have accepted this more intimate encounter with Queen Anne because what was to follow was a much more public acknowledgement.

Queen Anne Boleyn

Rochford conducted the ambassador to mass and Eric Ives relates what took place.

‘Anne accompanied Henry from the royal pew down to the chapel to make her offering, and knowing that Chapuys was placed behind the door through which she entered, she stopped, turned and bowed to this representative of the Empire, and necessarily he responded likewise. After mass, Chapuys was careful not to go with the king and the other ambassadors to dine with Anne, but again it was her brother who entertained him in the presence chamber…’ (Pg. 313)

Chapuys recounts the encounter in a letter to Charles V,

‘I was conducted to mass by lord Rochford, the concubine’s brother, and when the King came to the offering there was a great concourse of people partly to see how the concubine and I behaved to each other. She was courteous enough, for when I was behind the door by which she entered, she returned, merely to do me reverence as I did to her. After mass the King went to dine at the concubine’s lodging, whither everybody accompanied him except myself, who was conducted by Rochford to the King’s Chamber of Presence, and dined there with all the principal men of the Court. I am told the concubine asked the King why I did not enter there as the other ambassadors did, and the King replied that it was not without good reason.’ (LP, x.699)

It’s difficult to believe that only two weeks after this triumphant victory for Anne, she would be arrested and imprisoned in the Tower of London. Even more disturbing, in 31 days – she would be no more.

Sources
Ives, E. The Life and Death of Anne Boleyn, 2004.
‘Henry VIII: April 1536, 21-25′, Letters and Papers, Foreign and Domestic, Henry VIII, Volume 10: January-June 1536 (1887), pp. 287-310. URL: http://www.british-history.ac.uk/report.aspx?compid=75427 Date accessed: 18 April 2012
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Museum of The Order of St John

Discover a hidden jewel in the City of London

The Museum Entrance at St John's Gate

Several friends have recommended a visit to the Museum of The Order of St John. Here is some background information:

‘The Museum tells the story of the Order of St John, from its origins in the 11th century to its role today with St John Ambulance and the St John Eye Hospital in Jerusalem.

The Hospitaller brothers both fought and nursed the sick, in the Holy Land and on their island fortresses of Rhodes and Malta.’

Detail of St John's Gate

The Museum occupies two sites in Clerkenwell, London: St John’s Gate, which dates from 1504; and the Priory Church of St John, Clerkenwell with its surviving twelfth century Crypt.

It is not only the artefacts housed within the Museum that tell a story, the Museum buildings themselves have a unique history. St John’s Gate was the entrance to the former Priory of St John and after Henry VIII’s Dissolution of the Monasteries, housed the office of the Master of the Revels. It was here that Shakespeare came to license his plays.

Find out more about this building’s colourful history by visiting the Museum’s website here.

Visits to the Museum of the Order of St John are free of charge. For guided tours a donation of £5 is suggested (£4 concessions).

(A big thank you to Mike Glaeser for the photographs)

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Sheffield Manor Lodge

A guest post about Sheffield Manor Lodge by On the Tudor Trail reader, Keeleigh Hodgson. Enjoy!

Tudor Sugarcraft Exhibition

To be absolutely honest I never thought I would write a piece about this location. It was simply by chance that I stumbled upon Manor Lodge. There was an exhibition about ‘Tudor Sugarcraft’ which piqued my interest and so I thought I would explore it at my own leisure, admire the recreations and, as usually happens when I visit Museums, feel saddened at the prospect of not being allowed to take pictures (I am a visual person after all). I normally wander around thinking, “this is beautiful but something is missing”, I always have it in museums, I love history yet… Museums and the like can feel incredibly stuffy, as if the great characters of the past were never actually there and the life has been sucked out. This wasn’t the case at Sheffield Manor Lodge. Since my visit I have been researching the history and have even become a ‘Friend of Manor Lodge’! Why? Because it is something beautiful – more than aesthetics, it is all the little touches and the colourful history which has made me want to share it with fellow members and hope that it doesn’t sound too much like a sales pitch!

Firstly, what makes this most interesting for me is that it is in Sheffield, Yorkshire. Many a time I have complained to my partner, “You Yorkists do nothing for heritage! You have all robbed it and I am now left with ruins and industrial museums!” But, all along there was a hidden gem in Manor Lodge, whose patron is my favourite Dr David Starkey (I am like a schoolgirl when it comes to Dr David Starkey…) I hope you enjoy reading this, though I have never proclaimed to be much of a writer! It is more to share information about this interesting location. I will try my best to give a historical context to Manor Lodge and give you some details of what to expect on your visit.

So, here it is – Manor Lodge (many a time mistaken for Sheffield Castle) dates back to 1066. For this piece, for Tudorphile reasons, I am going to concentrate particularly on the Elizabethan era, but the history prior to this is equally as exciting to me.

Stained glass, Sheffield Cathedral

8th November 1530 – Cardinal Wolsey, once a man held in high esteem by Henry VIII, was facing imprisonment in the Tower of London. Manor Lodge was to be part of Wolsey’s final journey. Here, he was to be the guest of George, 4th Earl of Shrewsbury and their meeting immortalised in stained glass at Sheffield Cathedral. In the words of George Cavendish “When we came into the Parke at Sheffield, nighe to the Lodge, my Lord Shrewsbury and all other gentlemen and servants, strode without the gates to attend my Lord’s cominge to receave him. At whose alightinge the earle received him with much honour and embraced my Lorde sayinge these words ‘ My Lorde, Your grace is most hartelye welcome unto me, and I ame glade to see you here in my poore lodge, where I have long desired to see you, and muche more gladder if you had come after another sort…

Surviving records suggest that the Earl was a supporter of Wolsey and had discussed ways of helping him and of mending his relationship with Henry. However, on the fifteenth night the apothecary was called as Wolsey was suffering violent stomach pains, which failed to ease. Later the physician Dr. Nicholas was summoned and he declared Wolsey was living out his last days.

At Leicester on the 29th November 1530 – Wolsey died.

“Had I but served God as diligently as I have served the king, he would not have given me over in my gray hairs.”

Moving forward in history to the 1570s – the 6th Earl of Shrewsbury, George Talbot and his wife Elizabeth Hardwick began an overhaul of the manor, introducing a gatehouse and octagonal towers. It is difficult to say whether this was the start of Elizabeth’s interest in architecture and interior design or whether it was simply done to accommodate their new guest. It was as if history was repeating itself and Manor Lodge was once more to serve as a prison for nobility and royalty, this time the ‘guest’ was Mary Queen of Scots.

Bess of Hardwick & Mary, Queen of Scots entwined initials

Although at least for Mary, the story of her time here reads more pleasurably. At the Lodge she would spend her time creating embroidery patterns with Bess, one depicts their initials, ‘E’ for Elizabeth Hardwick and ‘M’ for Mary entwined and in the middle an S for ‘Shrewsbury’ and ‘Scotland’. The arrows are meant to represent the Crown, possibly not on the right persons head… Interestingly, Bess attended Elizabeth’s court and George Talbot was Earl Marshall of England! The relationship between Bess and Mary soon soured – Bess accused George of an affair with Mary and, as some do nowadays with guests, Bess believed Mary to be taking liberties i.e. milk baths and hosting too large an entourage. Soon, poor George started suffering from paranoia and it is hardly surprising considering he was hosting a member of royalty, dealing with Bess’ suspicions of an affair between he and Mary, pressured from other tenants and under the ever watchful eye of Elizabeth I.

By 1584 Mary was under the supervision of Sir Ralph Sadler and George’s relationship with Bess was becoming more distant, with Bess spending more time at Chatsworth and Hardwick.  When George died in 1590, Bess purchased Hardwick Hall from her brother and went onto create what we know as ‘Hardwick Hall, more window than wall’.

Turret House, Sheffield Manor Lodge

If you do visit Manor Lodge you can expect more than a walk around the ruins. For £1.50 (cheaper than most magazines) you can go on a guided tour. The group number is intimate; at first it was just my partner and I! Later on, more people joined but it never felt impersonal and the tour guide welcomed questions. They will even let you take pictures! This is what made Manor Lodge my type of place, yes the history was interesting, the excerpts from the records informative and the Turret House (the only surviving building of the Tudor Manor Lodge to survive intact) beautiful, but overall it was the amount of time and care that the staff and volunteers dedicate to bringing Manor Lodge to life.

What makes this place most exciting are the personal touches – there is an ‘artspace’ where artist Frances Priest has taken inspiration from the beautiful Tudor ceiling and recreated it in dinner ware (manorware). The Manor Weavers, who have recreated tapestries of Bess of Hardwick’s work, show what natural dyes were used and now more modern/Tudor types. The re-enactors are great at the Lodge (We had the cook, who was excellent and told of us Mary’s letters being found in slurp). What is a great touch too, is that in the ruined parts of the Long Gallery, they have planted a Lavender Labyrinth and the ruins of the kitchens are now an apothecary garden. The staff are really friendly, I mentioned that I was a history student and was immediately told of the history of the home and informed of various talks offered throughout the year. It was a pleasantly surprising experience.

Apothecary Garden

Of course in a place such as this, it is rumoured to have a resident ghost who takes delight in knocking poor old George Talbot’s portrait off the wall when Bess of Hardwick is giving a talk!

George Talbot, 6th Earl of Shrewsbury

Dr David Starkey is a patron of Manor Lodge where they regularly host talks – frequently by Tudor Historians i.e. Linda Porter and recently Leanda De Isle and soon hoping for the man himself. Find out more about upcoming events here.

Manor Lodge is free to visit, but if you would like to go on the guided tour it is £1.50. The tour guide is fantastic and you may even get a chance to see Bess of Hardwick.

Bess of Hardwick

The Sugarcraft Exhibition is on display in the Turret House from 3rd March to 8th September 2012.

On a side note, one of the sugar designs on display is a unique model of St Paul’s, as originally designed for a banquet hosted by cardinal Wolsey for Henry VIII.

A unique model of St Paul' Cathedral as originally designed for a banquet hosted by Cardinal Wolsey for Henry VIII.

By Keeleigh Hodgson

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